Logic Pro Course | Tokyo
- →Setting up Logic and overview
- →Speeding up workflow and file management
- →Introducing the EXS 24 sampler and Ultrabeat
- →How to program MIDI and make some beats
- →All about quantize and groove
- →Apple loops dos and don'ts
- →Automation part 1
- →Logic's instruments
- →Channel Strips dos and don'ts
- →Using Sculpture to craft organic sounds
- →Logic's FX and MIDI FX
- →Using MIDI controllers
- →Vocoding
- →Automation part 2
- →Where to get samples and the law
- →Mapping drums, tuning and manipulation
- →Chopping up loops in Logic X
- →Getting samples into time with your song
- →Filtering and manipulating samples
- →Automation part 3
- →Sound waves, frequency, and amplitude
- →The record path and gain structure
- →Foldback, headphone mixes, and latency
- →Microphone types, makes, and polar patterns – what to use and how to use for vocals and popular instruments
- →Compiling audio takes the official way and our way
- →Stereo recording techniques
- →Tips on key command customization
- →Advanced MIDI editing and hyper editing
- →Arrangement tools, folders, and global tracks
- →Flex Pitch and Flex Time
- →Manipulating tempo, time stretching and using Flex Time
- →Logic's mixer from top to bottom
- →Routing tips
- →Sync styles, trends and typical briefs
- →Tempo mapping/TC markers and TC basics
- →Arrangement tips for orchestra and theme building/stem creation
Frequently asked questions.
Why choose Garnish?
Related reading.
Ableton Tutorial: Side-Chaining with Gates and Filters
Side-chaining in Ableton beyond the usual compressor: what the gate and auto filter do, and how fast they bring an idea to life.
Read →Creative EQ Tips
Creative EQ Tips by Katie Gilchrest Generally, engineers use equalization (EQ) in one of two ways: corrective or creative. If there is a problem in the recording, perhaps a dull sounding room or sample, it is acceptable to use EQ to brighten up the sound. Sometimes poor mic placement or room modes i
Read →Sampling Frequencies & Bit Rates: 96 v 44.1Khz & 24 v 16bit
Sampling Frequencies & Bit Rates: 96 v 44.1Khz & 24 v 16bit by Stephen Powell I had a conversation recently with a guy who described himself as a “glitch-dubstep-lo-fi composer” He went on to describe a couple of his tracks which turned out to be pretty much what you might expect from such a descrip
Read →Capture with Push
Capture retroactively records the MIDI you just played, so an improvisation you never hit record for isn't lost. How it works, and its limits.
Read →How to Develop Your Sound
How to Develop Your Sound Creating a sound that’s unique to you is vital to your career as a musician, or producer. Not only can one say this from an artistic standpoint, but you can say this from a place of branding, too. Every artist should seek to develop a style that genuinely makes them stand o
Read →Latest Success Story – Dorbachov
We love an alumni success story, and Damien O'Reilly aka Dorbachov shares his accelerated journey from complete novice on our beginners Logic course just last year to professional producer and remixer this year! "I started my journey into production a little over a year ago. Having toyed with the id
Read →