
How to Develop Your Sound Creating a sound that’s unique to you is vital to your career as a musician, or producer. Not only can one say this from an artistic standpoint, but you can say this from a place of branding, too. Every artist should seek to develop a style that genuinely makes them stand o
Read →Now Ableton has made the big announcement, we can finally give you a first look! As New York City is our newest location, Garnish New York Ableton Live instructor Michael Hatsis (aka Bangingclude) goes through some of the new features in the new Ableton Live 10! Firstly he delves into the new Waveta
Read →Side-chaining in Ableton beyond the usual compressor: what the gate and auto filter do, and how fast they bring an idea to life.
Read →DJ Tips for Beginners – by Devious Soul Back in the day, when dinosaurs roaming the land, all DJs needed to land a set were serious skills, a bunch of great records and a decent demo tape to wow promoters into booking them. How times have changed, thanks in no small part to the internet and the chan
Read →When I very first started in the early-nineties, we all used Atari STs with a whole 512k of Ram for sequencing MIDI and not much else. All the audio was dealt with using 24 track 2" tape, with up to 3 slaved together synchronised using lynx synchronisers. Back then for sampling, we had the classic A
Read →Creative EQ Tips by Katie Gilchrest Generally, engineers use equalization (EQ) in one of two ways: corrective or creative. If there is a problem in the recording, perhaps a dull sounding room or sample, it is acceptable to use EQ to brighten up the sound. Sometimes poor mic placement or room modes i
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